After a seemingly endless wait to see This Movie Is Broken, I finally got my chance. I without a doubt loved it and here’s why: I lived most of what the movie was about that day. I woke up in my then girlfriend’s bed to the sound of race cars at the Molson Indy, I went to watch those fast cars, and then I ended my day watching Broken Social Scene play a free gig at the Harbourfront Centre. It was one of the most perfect days of the summer.
I think if you were ever asked by someone to describe what Toronto was like in the summer of 2009, you could simply point to this film. Director Bruce McDonald captured everything that was going on. The heat, the atmosphere, and the garbage. I was actually surprised at first how much the infamous garbage strike actually played a role in the movie, but it provided the perfect narrative. By letting actual newscasts from the CBC talk about the strike and images of our fair city piled with filth, the film cut down a need for excessive dialogue.
What there was of a plot was much better than I had been expecting. Truth be told, the reason it took me so long to see the film was because of the love story. I don’t feel like getting into that, but let’s just say I was moved by the script at points.
Then there’s the most important part of the movie; the music. Whoever was in charge of shooting the band did a fantastic job of frame transitions so that it feels like you’re actually on stage with BSS. While they didn’t pick all of the songs, they picked the right ones to enhance the scenes going on in the film.
What this film does extremely well is set itself apart from other live performances that you can take home. It could easily have been called Broken Social Scene Live on the Harbourfront but it takes a different route and gives you something to feel past the music. Because that is what music does after all; it enhances what you’re feeling at the time you’re watching it.
To prove just how much this gig meant to me, here’s the review I felt compelled to write when I got home at two in the morning after the gig:
Broken Social Scene- Harbourfront Center- July 11, 2009
OR
“How my love of BSS was rekindled”
I gave this one an alternative title because I really have to admit, Broken Social Scene and I have been going through a dry spell in our long relationship. It has been more than two years since I saw them last and none of the BSS Presents: music has really caught my attention. This concert was like a second wedding or at the very least, a change in bedroom antics. For one thing, there were many more partners in there, but I’ll let you figure out that metaphor in the notes to come.
I gave this one an alternative title because I really have to admit, Broken Social Scene and I have been going through a dry spell in our long relationship. It has been more than two years since I saw them last and none of the BSS Presents: music has really caught my attention. This concert was like a second wedding or at the very least, a change in bedroom antics. For one thing, there were many more partners in there, but I’ll let you figure out that metaphor in the notes to come.
Tonight you really got the idea that Kevin Drew felt bad about their annual Olympic Island show being cancelled. “We couldn’t play the island, so we decided to not charge you fifty bucks” he told us. That’s right, they played for free. And boy did they play.
Because so much happened, I’ve decided to give a play-by-play list of the highlights as best as I can.
- The solo stuff starts off with Brendan Canning. It’s the first treat of the night. Nice and funky, it was the first song that had me dancing.
- Kevin Drew plays his first “solo” album song of the night. It reminded me that I hadn’t given it a good enough chance yet. I resolved to pick up Spirit If… and give it another listen the next day.
- The first surprise of the night, Kevin Drew introduces Leslie Feist who comes on stage and sings 7/4 Shoreline. She then disappears, but not for long.
- Second treat of the night: the emergence of Amy Milan who sings one of her solo tunes. KD intros her as a girl he met at camp. Amy disappears after her song. I worry that she’s in a huff and won’t be back.
- Feist returns to the stage to play an acoustic duet with Kevin Drew of Safety Bricks mixed in with I Feel It All. The two songs fit together incredibly!
- I begin to wonder if the night will really include “everyone” like Kevin Drew promised at the start of the night. Then he brings out Emily Haines and her fellow Metric guitarist.
- Emily, Amy, and Feist all sing Gimme Sympathy in harmony for a much more mellow version of the song.
- Jason Collett decides that he’s going to join the party and thus completes what I thought would be the end of the surprises. Everyone I really wanted to see were on stage.
- I make my first count of what seems to be a ridiculously crowded stage. There’s at the very least 22 people on stage. Jason Collett throws down a classic rock-n-roll move and ends up playing guitar on his back.
- Andrew Whiteman from Apostle of Hustle is featured for the first time. How can all these people really play so well in one band? Repeat after me “I WILL NEVER TAKE THIS BAND FOR GRANTED AGAIN!”
- Kevin Drew announces that the show is now in at the middle. Pardon me sir? You pulled off all that in the first HALF of your show? I realized he wasn’t kidding when they end their set an hour later.
- I hear the best rendition of Anthems of A Seventeen Year Old Girl I have ever heard live. All three ladies are singing and they’re having the most fun I’ve ever seen them have together. Even Amy starts getting into it.
- Feist continues to dance about between the songs featuring her on vocals. When she’s not dancing, she’s standing at the back playing the drums. It’s rather adorable.
- After playing Bandwitch, they announce that their done for the night, but that they played too fast. So the first encore begins. Brandon Canning dedicates the song to the late Martin Streek due to his support of the band in the early days. Then they “blast the roof off the sucker”, just like Brandon said they were out to achieve.
- They leave the stage for the first time before quickly returning. It’s not going to be so easy to take off. The second encore starts with Pacific Theme which is perfect on a night like this. Cool and breezy after a hot day. Before leaving for the night, Brandon blurts KC Accidental into his mic. So they play that too.
- The band appears for their last encore and ends for good with Major Label Debut. Throughout the whole night, they have averaged at least 13 band members on stage at a time. Wow is all I can say before I sit my ass down and take it all in.
The way Kevin Drew spoke to the crowd suggested that he wanted to make up for their cancelled show. Two and a half hours later, the job was done. There was not an unhappy person among the crowd. The only beef that I had with the night was the lack of my favourite song Stars and Suns. But I listened to it while I wrote this, so that really isn’t something to be upset about.
Ultimately an upside-down frown is really a smile. I had an upside-down frown the entire show.
